ratings and reviews image

Reviews

Home > Consumer Camcorders > Camcorder Reviews > Sony Camcorders > Sony AVCHD > Quick Camcorder Reviews: Sony HDR-SR1 Camcorder

Quick Camcorder Reviews: Sony HDR-SR1 Camcorder

by John Neely
Published on October 27, 2006


The HDR-SR1 walked away with a number of awards from the 2006 CamInfo Selects, including Best Under $1500, Best HDD / Flash Media, and a shared award with the HDR-UX1 for Most Innovative. Both camcorders capture full HD video quality with a new compression method, AVCHD. The HDR-SR1 is an all-in-package, recording up to 4 hours of video to a non-removable 30GB hard disk drive (HDD). We liked this camcorder, though it does have some issues you should consider first.

 

Like most of the upper-end camcorders in the Sony line this year, the HDR-SR1 comes equipped with the 1/3” ClearVID CMOS sensor, a great chip that manages a vivid color balance without oversaturating. Compression methods seem to have a big impact on sharpness and noise, though. Obviously, the fact that the HDR-SR1 shoots in HD means that the sharpness is far better than standard definition camcorders. But AVCHD seems to create a fair amount of noise (fuzziness) when compared to tape-based HD camcorders.

 

In bright light, you’re going to love the image this camcorder can produce. In low light, it can hold its own against the competition, but the noise increases. This means that when blown up on a big screen TV, you’ll be seeing a lot of dancing little specks in the shadowy areas. Of course, all camcorders have this to some degree, but the tape-based Sony HDR-HC1 and HDR-HC3 had less of a problem.

 

As with all consumer HD camcorders, the HDR-SR1 can also be set to record in standard definition. Doing so extends the capacity of the HDD to 7 hours and 20 minutes in the highest quality setting. Even if you don’t have an HDTV at present, we would urge you to record in HD from the outset. Eventually, it’s likely you will own an HDTV, and at that point you’ll be glad to have your memories recorded in the best quality format.

 

Consumers accustomed to pocket-sized devices are going to find the HDR-SR1 big. It’s easily a quarter to a third larger than Sony’s mid-range camcorders, and you’ll have a tough time squeezing it into a purse. Fortunately, an HDD camcorder is, by design, more compact than most. There are no DVDs or tapes to lug about. A proviso, though: for long vacations, you must consider the limits of a non-removable disk drive. At the 4 hour mark, you’ll have to find a computer to dump footage onto or you’re stuck with a 720g (1 lb. 9oz.) doorstop.

 

Point-and-shoot users may find the HDR-SR1 an expensive proposition, but they probably won’t be disappointed with its automatic controls. While it lacks Sony’s trademark Easy button for idiot-proof handling, the automatic exposure and white balance are excellent. The focus wanes in low light, which can be a real issue with high definition. You may have to add lighting or stabilize the body. At that point, you could also take over with manual focus.

 

The manual controls on the HDR-SR1 are the best we’ve seen from Sony in years. While still withholding independent shutter and aperture controls, the camcorder does come equipped with a multifunction ring for WB shift, AE shift, exposure, and focus. You’ll also find pro features like zebra stripes for spotting overexposed areas and guideframes to help line up shots. The ring lends a pro feel to the overall handling that we absolutely loved.

 

The audio features on the HDR-SR1 are among the strongest selling points. We welcome most joyously the return of a mic input jack and a headphone jack after years of absence in most of Sony’s high-end models. An external mic makes an enormous difference in production quality, even in home movies. The camcorder also has a remote control jack for powered tripods – adding yet another touch of professionalism to your videos.

 

As we mentioned in the introduction, there are some issues that must be considered before purchasing the HDR-SR1. AVCHD compression is still very new, which means that editing solutions will take a while to come into place. At the time of the camcorder’s release, the only available software for editing footage is the rather limited program that ships with the camcorder. A number of software manufacturers have signed on to support AVCHD, but those products will probably not hit the market until early to mid-2007.

 

On the whole, this is a very promising camcorder. Earlier this year, we praised the standard definition DCR-SR100 as the best HDD camcorder to date. The HDR-SR1 is everything we loved about the camcorder, plus HD recording, a mic jack, a headphone jack, and the powerful multifunction ring. However, it’s important to consider that this is a first-generation camcorder in the AVCHD format. Sometimes it’s good to sit out the first round and wait for issues like editing and compression noise to be addressed. Shop smart and consider your options.


Sony HDR-SR1 THE BOTTOM LINE
Rating: 270.17

 
Likes
-Great feature set all around with ring control, mic and headphone jacks, HDMI terminal
-Dual record and Smooth Slow Record neat additions
-HD video on an HDD camcorder, the first of its kind
-Immense 3.5 inch LCD makes touchscreen navigation actually feasible
-Efficiently redesigned menu
Dislikes
-AVCHD workflow is a work in progress
-Compression results in more noise than HDV
-No independent control over gain and shutter speed
-Menu is more efficient than before - but more confusing

 

Sony HDR-SR1 Compared to the...

Sony HDR-SR1
Rating: 270.17
Sony HDR-HC3
Rating: 274.94
Canon HV10
Rating: 262.35
JVC GZ-MG505
Rating: 216.52
Sony DCR-SR100
Rating: 215.73
 _fcksavedurl=
 _fcksavedurl=
 _fcksavedurl=
 _fcksavedurl=
 _fcksavedurl=
Better Better Better Better Better
- HDD Easier to use than DVD
- Slightly smaller, more portable
- Higher quality video at 15Mbps
- Includes a remote jack
- Slightly better video performance with higher video resolution
- Better low light performance
- HDV Compression superior to AVCHD
- Easy to edit with HDV footage
- Easy Button on HDR-HC3 only
- Video Performance
- Video Resolution
- Shutter Speed
- Compression
- Media
- Editing
- Other Features
- Value
- Other Manual Control
- Manual shutter speed control
- Auto Gain off option
- Slightly better still performance
- Smaller and more portable
- 60GB HDD
- Better editing support for MPEG-2 video
- Extra features
- Easy Button means its even easier to use
- Slightly better low light performance
- Smaller and more portable
- Better editing support for MPEG-2 video
- Easier to handle
Equal Equal Equal Equal Equal
- 1/3" ClearVID CMOS Sensor
- Most features and controls are identical on these camcorders - the main difference is in their format and max bit rate.
- 1/3" ClearVID CMOS Sensor
- Comparable automatic controls
- White Balance
- Both lack manual gain and shutter speed control
- Ease Of Use
- Zebra patterns
- Smooth Slow Record
- Similar still perfomance
- Comparable zoom toggle
- 10x Zoom
- Very similar Sony handling
- Wide Angle
- HDMI output
- LCD / Viewfinder
- Neither camcorder suports 24P/Scan Rates
- Gain
- Ease Of Use
- 24P/Scan Rates
- Comparable ease of use
- 10x optical zoom
- AVCHD and MPEG-2 compression have pros and cons
- Same HDD Media
- Neither camcorder suports 24P/additional scan rates
- Comparable Still Features
- 10x optical zoom
- AVCHD and MPEG-2 compression have pros and cons
- Same HDD Media
- Neither camcorder suports 24P/additional scan rates
- At current street price, similar value
Worse Worse Worse Worse Worse
- HDD Easier to use than DVD
- Slightly smaller, more portable
- Higher quality video at 15Mbps
- Includes a remote jack
- HDR-UX1 has better overall manual control and ring control
- Focus, Exposure, AE Shift and WB shift ring controllable on UX1
- Dual Record only on HDR-UX1

- Lower still resolution
- No mic or headphone jacks
- Tapes make the HDR-HC3 less portable
- Shorter battery life
- Fewer extra features
- Not as much camcorder for your money
- Automatic Control
- Overall Manual Control
- Zoom
- Focus
- Exposure
- White Balance
- Still Features
- Still Resolution
- Still Perfomance
- Low Light Performance
- Zoom Ratio
- Wide Angle
- LCD / Viewfinder
- Audio
- Handling
- Portability
- Battery
- Jacks / Ports / Plugs
- SD resolution video lower than HDR-SR1
- Auto controls
- Lacks ring control despite strong manual control feature set
- Zoom toggle slightly better on Sony
- Joystick control over focus and exposure
-
White balance
- Lower still resolution despite strong still performance
- Wide angle
- 2.7" LCD, no viewfinder
- Audio – lacks hot shoe
- Handling
- Lacks native 16:9 support
- Lacks HDMI port
- HDR-SR1 MSRP $1500 for HD vs. $1300 for SD MG-GZ505
- Video Performance
- SD resolution video lower than HDR-SR1
- Much inferior manual control feature set
- Touchscreen manual control interface
- Lower still resolution
- Still performance
- Viewfinder less comfortable
Audio options lacking - no headphone or mic jacks
- Slightly shorter battery life
- Lacks native 16:9 support
- Lacks HDMI port
- No MemoryStick DUO support
- Lacks featrures like Smooth Slow Record and Dual Record available on the HDR-SR1

Area Weight Raw Adj. Poss.
Video Performance 4.00 8.10 32.40 20.00
Front 0.20 9.00 1.80 2.00
Right 0.30 7.50 2.25 3.00
Back 0.25 6.50 1.63 2.50
Left 0.20 9.55 1.91 2.00
Top 0.15 7.75 1.16 1.50
Automatic Control 0.50 8.00 4.00 5.00
Overall Manual Control 0.60 7.25 4.35 6.00
Zoom 0.75 8.00 6.00 7.50
Focus 0.70 8.00 5.60 7.00
Exposure 0.65 7.50 4.88 6.50
Shutter Speed 0.60 0.00 0.00 6.00
White Balance 0.55 9.00 4.95 5.50
Gain 0.50 0.00 0.00 5.00
Still Perfomance 1.20 9.35 11.22 12.00
VCR Mode 0.30 9.60 2.88 3.00
Low Light Performance 4.00 6.50 26.00 20.00
LCD / Viewfinder 0.60 10.00 6.00 6.00
Audio 1.00 7.00 7.00 10.00
Handling 1.25 7.50 9.38 12.50
Jacks / Ports / Plugs 0.80 9.00 7.20 8.00
Other Features 0.70 6.00 4.20 7.00
Value 1.25 5.00 6.25 12.50
Total (weighted) 151.05 170.50